FNPS conference starts on May 15th

Our conference begins on Thursday May 15th with field trips and a nature journaling workshop. If you wish to sign up, get there early.  There are still openings for some of the field trips and for the workshop. See below for the workshop details.

Elizabeth gives pointers at the 2013 conference.

Nature Journaling at the FNPS Conference!

by Elizabeth Smith
This Thursday I’m thrilled to be leading a Nature Journal Workshop for the 34th annual Florida Native Plant Conference in Ft. Myers, Florida!  Just one of the many exciting events at the 4-day event, the Nature Journal Workshop is open to 10 aspiring journal-keepers.  The workshop takes place Thursday, May 15th, from 1pm to 4pm at Florida Gulf Coast University (see conference site for exact location).  We still have spaces open!

At the workshop, you’ll learn the basics of starting a nature journal and have the opportunity to start a journal page with the art supplies provided.  Yes – a starter kit of artist-quality supplies is included in the cost of the workshop!  Each participant receives a lightweight tote bag with the FNPS logo, a 6 x 9 inch spiral-bound sketchbook, Micron Pigma ink pen, pencil, and eraser.  A small folding palette with primary colors and a medium size waterbrush rounds out the kit, along with a few other items.  You’ll also receive a handout of drawing tips to take home, a great reference for beginners and experienced artists alike to use later. 

If you’re not sure that this workshop is for you, I invite you to read some of my thoughts.  Scroll to the bottom for links and contact information.

Onsite tutoring...

Keeping a Visual Nature journal


The process of keeping a visual nature journal is a path.  It isn’t about creating a finished product or a pretty picture, but is rather a reflection of my curiosity and explorations.  Every time I sketch something, I deepen my relationship with my subject by experiencing it differently.  I ask questions and think more deeply, and get to know my subject on an intimate level.

Those of us who draw and write about the natural world carry on a long historical tradition of curiosity, exploration, and investigation.  We need not be accomplished artists – just alight with the fire of curiosity and a desire to put thoughts and observations on paper.

Our own visual journals may contain quick sketches, detailed studies, photos, maps, poetry, or scientific observations.  We might record the progress of our garden, our explorations of nearby habitats, or simply our emotional responses to the beauty and diversity of the natural world.
Here’s what I’ve discovered that makes these journals valuable to me:  my drawing and painting skills have sharpened, especially when I draw on a weekly basis.  My observation has improved – I find myself specifically seeking out details in order to capture them on the fly or to write them down later.  My knowledge base has become more dimensional; not only have I learned more, my emotional connection to nature has become more specific and I have a deeper sense of how individual parts fit into the whole.
The participants add color when they came back from sketching.
I recommend that you try to keep in mind the process, and not get over-involved with the outcome of each page.  As you practice, you’ll find your skills improving in every area.  Don’t be discouraged if you start and then stop.  When you’re ready, you’ll pick up your journal again and the words and pictures will flow onto the page.  Remember that it all “begins at the beginning” with that first step.  This is your exploration of  the natural world around you!

For more information:

FNPS Conference home: http://www.fnps.org/conference
Nature Journaling Workshop at the conference: http://fnps.org/conference/workshops
Contact Marlene Rodak (rodakma@msn.com or 239-273-8945) for more information on the conference and how to register for the workshop.
Contact Elizabeth Smith for more information or questions on the Nature Journal Workshop (lizardart@gmail.com).

Photos by Ginny Stibolt
Posted by Ginny Stibolt

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